

I am a designer and maker with a passion for jewellery. I'm based in Cambridgeshire, UK.
Largely self-taught, I took up jewellery-making and glass fusing in 2002 after giving up my research work in biology to dedicate more time to my two young children. I'm a member of the Association for Contemporary Jewellery, of the PMC Guild and a Licentiate Member of the Society of Designer Craftsmen.
My work has been featured in Craftsman Magazine (March 2007, Feb 2005) and it is displayed and for sale in selected jewellery shops and art galleries.
One of my silver and dichroic glass pieces, the “Trinacria” bangle, has been recently selected for exhibition at the Victoria & Albert Museum, London as part of their “Inspired by... ” 2006 event. Last year, my "Something Blooming" bracelet has been awarded the third prize in the Precious Metal Clay Design Competition Organized by the PMC Studio.

Date for the diary Exhibition at Chelsea Old Town Hall
I will be exhibiting my work at this year's Design Crafts at Chelsea Town Hall from Thursday 16th to Sunday 19th October 2008. Please drop by to see some of my work and also the work of other talented designers!
Venue: Chelsea Old Town Hall, Kings Road, London SW3 5EE
Opening times:
Thursday 16th Saturday 18th October 2008 : 11.00am-6.00pm
Sunday 19th October: 11.00am-5.30pm
http://www.societyofdesignercraftsmen.org.uk
http://designercraftsatchelsea.org.uk/

My aim is to create contemporary glass and jewellery pieces that make a statement and draw attention while remaining practical and confortable to wear. I work mainly with silver and glass combining the techniques of glass fusing and lampworking, with metal fabrication.
Some of my jewellery designs are characterised by bold dichroic glass accents which I create in a kiln through a high temperature fusing process and use as a medium to add colour and bring contrast to the metal qualities of the silver. To balance the richness of the glass medium, I keep my silverwork simple, using slim lines, clean geometrical shapes and simple stylised natural forms.
Intensely captivated by light, reflections, and combinations of colours, I also make wide use of contrasting textures and decorative details such as highlights of 9ct or 18ct gold and, occasionally, semiprecious stones. In one of my ranges, for example, the silverwork is subtly embellished with Venetian Millefiori glass beads. These are tiny glass cylinders containing delicate flower resembling patterns. After slumping them in a kiln, I add them to my designs to give my work a colourful and feminine look.
I find inspiration in just about everything around me: a landscape element, an architectural feature, a natural object, the vibrant mediterranean colours and the fascinating beauty of the glass itself. I delight in finding new ways of translating these ideas into new pieces that hopefully will become timeless jewels to treasure and wear for years to come.
Perhaps because of my lack of formal training or maybe because of my scientific background I find myself spending countless hours at the bench playing around with glass and silver, experimenting with new materials, techniques, pushing them to the limit to see whether something new can be achieved. As a result, most of my creations stem from workshop experimentation rather than from detailed planned drawings, keeping my jewellery in constant evolution.
My latest work, for example, has been greatly influenced by discovering the lampwork technique. Lampworking is an ancient glassworking technique whereby glass rods are heated over the flame to a molten state and then winded around a steel mandrel building up layers of color. The glass is then maniputaled into beads. Making shapes out of molten glass is a fascinating and magical process that has become a prominent part of my time in my workshop.

Thank you for taking the time to look through my site.

Member of the Association for Contemporary Jewellery
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